Jumat, 21 November 2014

The Northern Lights: Celestial Performances of the Aurora Borealis,

The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall

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The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall

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The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall

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The northern lights, also known as the aurora borealis, put on remarkable shows of light and motion in high latitudes--Alaska being the perfect place to see them. Shot with ultra-high definition cameras, this book of amazing photographs showcases a period of unusually high solar activity in the northern lights. These new photos take full advantage of the latest advances in photographic technology and the active solar storms of the past several years that cause the lights. With 160 images that have never been collected in book form, this book allows us to witness charged particles in the earth's atmosphere clash with electrons and protons released by the sun.

The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall

  • Amazon Sales Rank: #389866 in Books
  • Brand: Sasquatch Books
  • Published on: 2015-09-01
  • Released on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .42" w x 10.90" l, .0 pounds
  • Binding: Paperback
  • 128 pages
The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall

About the Author Calvin W. Hall is a professional photographer whose work has been published in a number of magazines including National Geographic Adventure, Outside, Discover, Ski, Esquire, and Alaska.   Daryl Pederson, an Anchorage-based nature and studio photographer, has been creating images of the northern lights for over thirty years. His aurora photographs are seen worldwide, and include cover shots for countless books and magazines, including National Geographic.   Ned Rozell is a journalist and adventurer. He is science writer for the Geophysical Institute at the University of Alaska, Fairbanks, and author of four books.


The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall

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1 of 1 people found the following review helpful. Museum gift shop quality By E. B. MULLIGAN I ordered this a month ago and was dazzled enough that we ordered another as a Christmas gift for my aunt and uncle - win/win. Everyone who came to our home over the holidays would pick it up on the coffee table to flip through it, and ended up sitting down looking through it page by page. Anchorage, Alaska Photographers Daryl Pederson and Calvin Hall also guide the reader on seeing and photographing the Aurora Borealis. This is their 2nd book on the Norther Lights after 2001's Northern Lights: The Science, Myth, and Wonder of Aurora Borealis.The picture of the blue corona aurora over the Chugach Mountains was my favorite and orange red aurora near Palmer Alaska is amazing! The moonlight and rainbow colors of the aurora as a back drop over the Matanuska Glacier was unbelievable.

1 of 1 people found the following review helpful. The Aurora By wogan The Northern Lights are on many peoples’ bucket list. This book will create an even stronger longing to go up north to witness this magnificent spectacle. Every page has at least one breathtaking photo.Daryl Pederson and Calvin Hall explain the different photographs.The words are poetic, historical and scientific. They give their expertise both in viewing the aurora borealis and in photographing it, in all its forms.There is some information as to where and how the photos were taken, but it is omitted on some of the pages.The book itself makes a nice coffee table book – although it would be better if it was a hardback.

0 of 0 people found the following review helpful. Perfect captures of one of nature's ultimate natural beauty. By En Trance Stunning photographs of the gorgeous nocturnal phenomena known as the Northern Lights, occurring primarily in upper Northern Hemisphere locations. Photographers Daryl Pederson and Calvin Hall have braved some of the coldest spots on earth to capture their photographs, and I give them many thanks as I'll most likely never get to these remote locations on my own! They capture nearly every color that's possible, reds, greens, purple, aqua, and even white.I like the use of illuminated tents, barns, human and animal figures, and even a strategically placed truck, so give some sense of scale, so every shot is not just of the sky. You get a sense of where you'd be standing if you were there, and you're view.The book is just large enough to be a good coffee table read, but keep in mind that a lot of the photos inside are half page size. There are a few double page spread photos and ones that take up more than one page. A highly recommended photography book or anyone interested in seeing the Aurora Borealis.

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The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall

The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall

The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall
The Northern Lights: Celestial Performances of the Aurora Borealis, by Daryl Pederson, Calvin Hall

Sabtu, 15 November 2014

Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church (Classic Reprint),

Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church (Classic Reprint), by F. Crawford Burkitt

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Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church (Classic Reprint), by F. Crawford Burkitt

Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church (Classic Reprint), by F. Crawford Burkitt



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Excerpt from Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church"Early Eastern Christianity," the tide which I have given to these six Lectures, may possibly be held to be a misleading name. My Lectures are an attempt to sketch the leading characteristics of the ancient Church of Edessa and the Euphrates Valley from the earliest times to the Council of Chalcedon. The "Eastern Church" in popular usage generally means something geographically wider. We think of Greeks and of Russians, of Alexandria and Constantinople. But compared with the Church about which I have written these names belong to the West, to the great Church within the Roman Empire. It is the unique distinction of the Church of the Euphrates Valley, that alone among the developments of Christianity in the ante-Nicene age it had some of its roots in a realm outside the Roman Empire, and that the language of its learning and its aspirations was a tongue akin to that of Palestine.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church (Classic Reprint), by F. Crawford Burkitt

  • Published on: 2015-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .53" w x 5.98" l, .75 pounds
  • Binding: Paperback
  • 252 pages
Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church (Classic Reprint), by F. Crawford Burkitt


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0 of 0 people found the following review helpful. Important text By Steve S. Jones A very important work in a field that has been largely ignored. We often assume today that 19th century scholarship is second rate or outmoded - this is just not true.

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Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church (Classic Reprint), by F. Crawford Burkitt

Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church (Classic Reprint), by F. Crawford Burkitt
Early Eastern Christianity: St. Margaret's Lectures 1904 on the Syriac-Speaking Church (Classic Reprint), by F. Crawford Burkitt

Sabtu, 08 November 2014

Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

This is not around exactly how considerably this book Pearls On A String: Art In The Age Of Great Islamic EmpiresFrom University Of Washington Press expenses; it is not likewise concerning exactly what kind of e-book you truly like to review. It has to do with just what you can take and also obtain from reading this Pearls On A String: Art In The Age Of Great Islamic EmpiresFrom University Of Washington Press You can favor to pick other book; yet, it does not matter if you attempt to make this publication Pearls On A String: Art In The Age Of Great Islamic EmpiresFrom University Of Washington Press as your reading option. You will not regret it. This soft documents publication Pearls On A String: Art In The Age Of Great Islamic EmpiresFrom University Of Washington Press could be your buddy regardless.

Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

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Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

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Pearls on a String presents the arts of historical Islamic cultures by focusing on specific people and relationships among cultural tastemakers, especially painters, calligraphers, poets, and their patrons. Through a series of chapters, the book spotlights certain historical moments from across the Islamic world. Each chapter pivots around patrons and their social networks. These independent sections allow different voices and perspectives to emerge, enabling the reader to see that Islamic societies are not monolithic but made up of a tapestry of individuals with distinct and varying views. Pearls on a String pays particular attention to individuals from different sectors of society, giving voice to anonymous artists and translators, merchants, and women of the harem. Islamic historical sources reinforce the book's themes of writing in Islamic societies, artistic patronage, biographical traditions, and human connectivity.

Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

  • Amazon Sales Rank: #177148 in Books
  • Published on: 2015-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.30" h x .90" w x 9.80" l, 3.86 pounds
  • Binding: Hardcover
  • 256 pages
Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

About the Author Amy Landau is associate curator of Islamic and South Asian Art at the Walters Art Museum, Baltimore. Contributors: Paul Losensky, Sussan Babaie, Avinoam Shalem, Glaire Anderson, Mariam Rosser-Owen, Persis Berlekamp, Vivienne Lo, Wang Yidan, Willem Flinterman, Jo Van Steenbergen, David Roxburgh, Qamar Adamjee, Audrey Truschke, Bora Keskiner, Unver Rustem, and Tim Stanley


Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

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3 of 4 people found the following review helpful. Pearls on a String: the epitome of beauty and fine scholarship By Merrily Baird In May 2013, the National Endowment for the Humanities made a gift to the Walters Art Museum in Baltimore that would help underwrite an exhibition drawn in part from its collection of Islamic art and manuscripts. The fruit of that investment can now be seen by a wide audience via a catalogue of exceptional beauty and expert scholarship. Titled "Pearls on a String: Artists, Patrons, and Poets at the Great Islamic Courts," this catalogue accompanies a show that opened at the Walters in November 2015 and will move on to the Asian Art Museum in San Francisco.Both the catalogue and exhibition examine Islamic courts located in a geographic sweep from China, India, and Persia westward to Syria, Egypt, Turkey, and Spain. Throughout the emphasis is on human interaction among artists, poets, and court patrons in "webs of personal relationships." Each chapter uses a somewhat different lens, but short introductory essays pull the book together, and the Walters' curatorial approach allowed contributing scholars to play to their unique strengths. Topics dealt with in individual chapters are: ladies' ivories in 10th-century Spain; art, history, and science in the 13th-14th century Mongol Empire; the 14th-century sultan of Egypt and Syria; art and literature in Herat of 15th-century Persia; 16th-century Sanskrit texts in Mughal India; late 17th-century painting in Isfahan, Persia; and an 18th-century jeweled gun from the Ottoman Empire.While the emphasis in "Pearls on a String" is on Islamic courts, multiple religious and foreign influences impacted these courts and only a portion of the art depicted in this book was created solely for religious purposes. On the literary front, as any reader of Sufi verse will know, references to worldly love and wine consumption were prominent, even if they were often metaphors for an ecstatic merging with the Divine. Readers desiring an even closer look at the patronage of one Islamic Sultan- Ibrahim Adil Shah II of Bijapur in India--can find it in "The Visual World of Muslim India: The Art, Culture and Society of the Deccan in the Early Modern Era." Readers desiring a fictional account, meanwhile, of Ottoman Empire court patronage can find it in "My Name is Red" by the Turkish Nobel Prize winner Orhan Pamuk.

2 of 4 people found the following review helpful. A fresh perspective and fascinating insight into historic Islamic cultures - a must read! By R. Goldberg This exceptional collection of scholarly texts is a comprehensive overview of Islamic cultures and the persons who created and commissioned the objects that continue to tell stories across time. The book takes a nuanced approach by looking at Islamic history through a biographical lens. Reading the texts and becoming acquainted with the historical characters and their networks, readers will gain a novel perspective on the moments in time, that together, form the richly diverse and culturally vibrant history of the Islamic world. Students and scholars, as well as anyone with a curiosity or interest in Islamic art will find the essays in "Pearls on a String" a fascinating read.

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Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press
Pearls on a String: Art in the Age of Great Islamic EmpiresFrom University of Washington Press

Jumat, 07 November 2014

Floating in the Summertime: Underwater Photography in the Rivers and Streams of the Virginia Piedmont,

Floating in the Summertime: Underwater Photography in the Rivers and Streams of the Virginia Piedmont, by Alexandria Searls

For everyone, if you intend to begin accompanying others to review a book, this Floating In The Summertime: Underwater Photography In The Rivers And Streams Of The Virginia Piedmont, By Alexandria Searls is much suggested. And also you should get the book Floating In The Summertime: Underwater Photography In The Rivers And Streams Of The Virginia Piedmont, By Alexandria Searls below, in the link download that we supply. Why should be below? If you want other kind of publications, you will certainly constantly discover them and Floating In The Summertime: Underwater Photography In The Rivers And Streams Of The Virginia Piedmont, By Alexandria Searls Economics, national politics, social, scientific researches, faiths, Fictions, as well as more books are supplied. These offered publications remain in the soft documents.

Floating in the Summertime: Underwater Photography in the Rivers and Streams of the Virginia Piedmont, by Alexandria Searls

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This book of color photographs examines the surface of a river from below, shooting through water to floating objects and the clouds,trees,and blue sky beyond.

Floating in the Summertime: Underwater Photography in the Rivers and Streams of the Virginia Piedmont, by Alexandria Searls

  • Amazon Sales Rank: #1727006 in eBooks
  • Published on: 2015-09-09
  • Released on: 2015-09-09
  • Format: Kindle eBook
Floating in the Summertime: Underwater Photography in the Rivers and Streams of the Virginia Piedmont, by Alexandria Searls


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0 of 0 people found the following review helpful. An exquisite photographic journey By Becky Lynn Gildersleeve These mesmerizing photos offer a unique look at the beauty and daily rhythms of the river environment. It is incredible and inspiring to see what is under, on and above the surface. The photos speak eloquently for themselves, although the chapter titles possess a poetic sensibility of their own.

0 of 0 people found the following review helpful. A Cool Experiment By Daryl Lee Spiewak Not only a collection of lot of cool underwater photographs, the author provided a short narrative to give context to the collection. It is the result of an interesting study and should serve as a motivator for your own experiments in photography.

0 of 0 people found the following review helpful. Five Stars By laurie The pictures are beautiful, dream-like, and meditative. They create a unique view of the world that is thought provoking.

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Floating in the Summertime: Underwater Photography in the Rivers and Streams of the Virginia Piedmont, by Alexandria Searls
Floating in the Summertime: Underwater Photography in the Rivers and Streams of the Virginia Piedmont, by Alexandria Searls

Kamis, 06 November 2014

The Letters of Madame De Sevigne to Her Daughter and Friends (Classic Reprint),

The Letters of Madame De Sevigne to Her Daughter and Friends (Classic Reprint), by Marie de Rabutin-Chantal Sévigné

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Excerpt from The Letters of Madame De Sevigne to Her Daughter and FriendsThe Editress has set forth so fully, in the introductory sketch of Madame de Sevigné's Life and Times, her object in offering this book to the American public, that any further prologue may seem superfluous; yet there are one or two things to be said which seem to find their most proper expression in a Preface. Since the date of the first edition, the changes in the manners and feelings of the time have been rapid and continuous; and they have operated in a twofold manner.In the first place, we have become as a nation more thoroughly acquainted with French literature, and better able to appreciate that world of the past in which the great letter-writer lived. Madame de Sevigné was a woman who lived in and for others, - for her daughter, her friends, and, at a greater distance, for the brilliant circle of distinguished men and women of which she herself was so important a figure. Her letters are made up of incident, of meetings, of conversations: they are full of references to the topics then uppermost; they draw half their charm from the personality of the writer. Literature of this sort cannot stand alone. To enjoy it to the full we must know with some minuteness the history of the times in which it was written, and of the people to whom it was written. The knowledge of these things is now spreading wider every year, as we become familiar, through originals or translations, with the masterpieces of foreign languages. For instance, probably the best French sketch of Madame de Sevigne is from the pen of M. Sainte-Beuve, the great critic whom Mr. Arnold acknowledges for his master.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Letters of Madame De Sevigne to Her Daughter and Friends (Classic Reprint), by Marie de Rabutin-Chantal Sévigné

  • Amazon Sales Rank: #5895255 in Books
  • Published on: 2015-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .89" w x 5.98" l, 1.28 pounds
  • Binding: Paperback
  • 438 pages
The Letters of Madame De Sevigne to Her Daughter and Friends (Classic Reprint), by Marie de Rabutin-Chantal Sévigné


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2 of 2 people found the following review helpful. She's Alive! By Babbo This is not a particularly easy read, but I love how it opens a window onto a long-gone world. Madam de Sevigne's voice speaks directly to us here and now in the 21st Century, and that I think is priceless.

0 of 0 people found the following review helpful. a classic By Kathryn Gearheard tI am a great fan of this lady and her letters to her daughter.

0 of 2 people found the following review helpful. Letters of Mme De Sevigne By jennifer sullivan Very confusing and masses of typos!!Some parts were interesting but the notes were totally out of order and I just felt it was poor.

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The Letters of Madame De Sevigne to Her Daughter and Friends (Classic Reprint), by Marie de Rabutin-Chantal Sévigné

Minggu, 02 November 2014

Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia,

Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia, by Natasha O'Hear, Anthony O'Hear

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Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia, by Natasha O'Hear, Anthony O'Hear

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The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous angels of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news site without reading about impending financial or climate-change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know much about either the basic meaning or original context of these concepts or the multiplicity of different ways in which they have been interpreted by visual artists in particular. The visual history of this most widely illustrated of all the biblical books deserves greater attention.This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations. The final chapter demonstrates the continuing resonance of all the themes in contemporary religious, political, and popular thinking, while throughout the book a contrast will be drawn between those readers of Revelation who have seen it in terms of earthly revolutions in the here and now, and those who have adopted a more spiritual, other-worldly approach.

Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia, by Natasha O'Hear, Anthony O'Hear

  • Amazon Sales Rank: #449685 in Books
  • Published on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x 1.40" w x 9.30" l, 1.65 pounds
  • Binding: Hardcover
  • 320 pages
Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia, by Natasha O'Hear, Anthony O'Hear

Review ''The Apocalypse is the glorious conclusion to the story of our redemption, or the moment when the Bible soars off into sci-fi: take your pick. The O'Hears, father and daughter, trace the extraordinary imaginative impact of the last book of the Bible on visual artists. While exploring the dynamic power of this final book of Scripture they take us on an exciting journey, from Dürer to D. H. Lawrence and from Memling to Ingmar Bergman. Apocalypse is a text which yields so many interpretations that it is bound to be puzzling, but this gentle, artistic book is a tribute to the visionary of Patmos' abiding power to inspire.'' --A.N. Wilson

"Revelation, the Bible's one visionary book, is often dismissed either as a fantasy for fundamentalists or as a literary and theological aberration. In this erudite and endlessly fascinating book, Natasha and Anthony O'Hear show that it is in fact one of the great books of the world, a rich source of imagery, metaphor, and moral insight that has inspired artists and thinkers of every age; and should inspire everybody with its message of gentle resistance to malign power." --Bryan Appleyard

"Natasha and Anthony O'Hear are to be congratulated for their book on Revelation, which takes as its starting point its central theme -- its visionary claim. It offers a very necessary reminder that the visual character of this remarkable text can often be best communicated through art, music, and poetry, which they illustrate so well. Not only does it introduce us to the ways in which this apocalyptic text has stimulated some of the most dramatic and inspired paintings down the centuries, but it also helps us get some sense of why this book has grasped the imagination of readers past and present. It is based on the best modern scholarship and presents Revelation to the general reader, primarily through the riches of the art it has inspired. Readers will find much here to treasure which will stimulate further reflection." --Professor Christopher Rowland, Dean Ireland's Professor of the Exegesis of Holy Scripture, 1991-2014

"This study of the Book of Revelation in the Arts over two millennium is a true blast to the modern mind and imagination." --Northern Echo

"Natasha and Anthony O'Hear, a father and daughter team of theologian and philosopher, both fascinated by artistic achievement, [provide] a clear diagram of Revelation's contents; it's worth keeping a bookmark there to keep a handle on John's programme . . . Like the Book of Revelation itself, you don't have to read this study in a linear fashion: you could pick out your favourite artist, composer or novelist from the index, and see how successive episodes of the vision have fired them." --Times

"Deliciously prescient and yet extraordinarily civilised . . . father and daughter team Anthony and Natasha O'Hear really get to grips with all things apocalyptic by dint of applying a beautifully polished magnifying glass to the world's ur-apocalyptic text, Revelation . . . The O'Hears are scrupulously fair-minded and reasonable. They are inclusive. They are erudite (a healthy sprinkling of 'eschatons' 'macro-narratives' litters the text) but never intimidating . . . They are kind. They are measured. And this is what makes Picturing the Apocalypse such an engrossing, delightful and ultimately uplifting read . . . Perhaps if one lesson alone might be learned from the O'Hears' thoughtful and thought-provoking enterprise, it's that beauty (and, by extension, art), while in some senses perfectly defenceless, can never fail to bring us closer to the sublime." --Spectator, Nicola Barker

"Natasha and Anthony O'Hear have produced a fascinating book on how the Apocalypse or the Book of Revelation has figured in the Arts for 2,000 years." --The Church of England Newspaper

About the Author Natasha O'Hear specialises in artistic interpretations of the Book of Revelation. She completed a PhD on the subject at Oxford University in 2008 and this led to her first monograph with OUP in 2011 Contrasting Images of the Book of Revelation in Late Medieval and Early Modern Art: A Case Study in Visual Exegesis. She has also published several articles on the subject. Having formerly held a Lectureship in New Testament Theology at Worcester College, Oxford, she now teaches at Burlington Danes Academy in West London. Natasha has recently been appointed Honorary Lecturer in Theology, Imagination and the Arts at the University of St AndrewsAnthony O'Hear is Professor of Philosophy at Buckingham University and Director of the Royal Institute of Philosophy. He has been a government advisor on education to five secretaries of state for education. He has been editor of the journal Philosophy since 1995, and is the author of many books and articles including The Great Books: From The Iliad and The Odyssey to Goethe's Faust: A Journey Through 2,500 Years of the West's Classic Literature (Icon Books, 2007), Plato's Children (Gordon Square, 2005), and Philosophy in the New Century (Continuum, 2001).


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Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia, by Natasha O'Hear, Anthony O'Hear
Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia, by Natasha O'Hear, Anthony O'Hear